Old Boys

May 3, 2004
McCarry is another ace spy novelist from the past to whom Overlook's Peter Mayer is giving a new lease on life (as with Robert Littell's The Company
two years ago). Both of them are real pros, with McCarry having a more lapidary style and a rather more aristocratic turn of mind. His "old boys," former CIA men who come out of retirement to help one of their former colleagues, Horace Hubbard, find his lost cousin, Paul Christopher, are a classy group, each with a well-defined area of expertise. Christopher, an elderly agent himself (he starred in some of McCarry's earlier books, most notably in The Tears of Autumn
), has disappeared, and apparently died, in a remote area of China. His ashes are sent back to the U.S. by the Chinese, and a memorial service is held. But Horace cannot believe he is dead, and nor can Paul's daughter, Zarah. As they set out on Christopher's trail, they find it leads to his remarkable mother, Lori, who was probably involved in the assassination of Nazi kingpin Heydrich in WWII and kept as a legacy of that monster a priceless scroll in his possession depicting the death of Christ from a Roman agent's viewpoint. The plot is almost indescribable, involving a Muslim terrorist who wants the scroll and who plans to blow up much of the West with a cache of miniature Soviet nuclear bombs; a Chinese forced-labor camp; and sundry ex-Nazis, ex-KGB men and double-crossers galore. It's a great tribute to McCarry's skill that he manages to keep all his colored balls in the air and carry the reader willingly with him. But the kitchen-sink approach to the plot increasingly strains credibility as the story zips along, and the tension between his all-too-believable "old boys" and the comic-book action is never satisfactorily resolved. Agent, Owen Laster at William Morris. (June)

Forecast:
Overlook is getting behind this novel in a big way, with a 75,000 first printing, a $50,000 Father's Day campaign and rights already sold in six countries. While there's a challenge in bringing McCarry back to his older fans and, perhaps more importantly
, introducing him to new ones, the house's experience with Robert Littell has proven that can be done.

Starred review from May 1, 2004
Undoubtedly, fans of high-caliber spy fiction will welcome the return of McCarry's intelligence agent Paul Christopher (The Tears of Autumn; Second Sight), thought to have died in a remote corner of China. Upon receiving Christopher's ashes, his cousin, Horace, a onetime spy himself, nevertheless doubts their authenticity. He recruits a team of old boys from "the Outfit" (think CIA) to track down any evidence that their friend is alive and can be saved. Their investigations take them not just hither and yon over the globe but also deep into the minds of terrorists and religious extremists of the sort that American readers will recognize today. Truly unusual aspects of this rambunctious excursion into the exotic include a son's lasting love for his kidnapped mother, lost back in the Nazi heyday and her profound attachment to a mysterious scroll connected to Judas of the New Testament. McCarry, a wizard writer, transforms the sturdy ingredients of the spy and suspense genres into a magical brew for our new age. A summer read that will be in demand at many public libraries. Barbara Conaty, Falls Church, VA

Copyright 2004 Library Journal, LLC Used with permission.

May 1, 2004
McCarry's latest is an old-fashioned, rollicking adventure that beats Ludlum and Cussler at their own game. When Paul Christopher, the enigmatic hero of several earlier McCarry novels, disappears while on a quest for his nonagenarian mother, Lori, his black-sheep cousin, Horace Hubbard, convenes a discreet cadre of over-the-hill spies to find their confrere--and to save the world from Ib'n Awad, an aging Islamic terrorist in possession of 12 nuclear suitcase bombs. In a beguiling twist sure to appeal to fans of " The Da Vinci Code" , all parties also seek a fabled ancient scroll that unmasks Jesus as an agent provocateur, handled by Judas for Roman spymaster Paul. The nonstop peregrinations of this league of extraordinary spooks take them to a score of exotic locales, pitting them against Chechen thugs, Chinese secret police, Nazi doctors, and a case of acute myocardial fibrillation. McCarry's commitment to this fanciful premise is absolute, and the resulting yarn combines the intrepid exploits of John Buchan, the cagey intrigue of Eric Ambler, and the clipped cadences of Dashiell Hammett. Tremendous fun. (Reprinted with permission of Booklist, copyright 2004, American Library Association.)